Kantor influenced a new formalist generation of directors such as Richard Foreman and Robert Wilson who were concerned with the 'object' in theatrical terms "putting it on stage and finding different ways of looking at it" (Foreman). Tadeusz Kantor frequently substituted actors for puppets, or combined the two, and conducted each performance from the edge of the stage, in some ways similar to a puppeteer. Maeterlinck, Shaw, Lorca and others wrote puppet plays, and artists such as Picasso, Jarry, and Léger began to work in theatre.Ĭraig's concept of the "übermarionette"-in which the director treats the actors like objects-has been highly influential on contemporary "object theatre"Īnd "physical theatre". Other pioneers, including Edward Gordon Craig and Erwin Piscator were influenced by puppetry in their crusade to regalvanise the mainstream. Sergei Obraztsov explored the concept of kukolnost ('puppetness'), despite Joseph Stalin's insistence on realism. Another development, starting at the beginning of the century, was the belief that puppet theatre, despite its popular and folk roots, could speak to adult audiences with an adult, and experimental voice, and reinvigorate the high art tradition of actors' Media it now reaches a larger audience than ever. Supported by the parallel development of cinema, television and other filmed Puppetry developed throughout the 20th century in a variety of ways. Marionette Theatre', admiring the "lack of self-consciousness" of the puppet. In 1810, Heinrich von Kleist wrote an essay 'On the Performance of the Kstovo Puppet Theatreįrom early in the 19th century, puppetry began to inspire artists from the 'high-art' traditions. Puppet theatre in Moscow, Russia in 1958. Puppetry has also been influencing mainstream theatre, and several recent productions combine puppetry with live action, including Warhorse, at the Royal National Theatre and Madam Butterfly at the English National Opera.
#WARHORSE PUPPETRY SERIES#
From 1984 to 1996, puppetry was used as a vehicle for political satire in the British television series Spitting Image. There are also a number of British theatre companies, including Horse and Bamboo Theatre, and Green Ginger, which integrate puppetry into highly visual productions. Don Austen, a British puppeteer, worked with Jim Henson's Creature Shop, and also worked on a number of feature films.
One of Shaw's last plays, Shakes versus Shav, was written for and firstĬurrent British puppetry theatres include the Little Angel Theatre in Islington, London, Puppet Theatre Barge in London, Norwich Puppet Theatre, the Harlequin Puppet Theatre, Rhos-on-Sea, Wales, and the Biggar Puppet Theatre, Biggar, Lanarkshire, Scotland. Had a touring theatre and a permanent venue in Malvern, Worcestershire, regularly taking part in the Malvern Festival andĪttracting the attention of George Bernard Shaw.
Whanslaw and Waldo Lanchester, both worked to promote and develop puppetry with publications of books and literature, mainly focusing on the art of the marionette. The British Puppet and Model Theatre Guild in the early 20th century instigatedĪ resurgence of puppetry. In the late 18th and early 19th centuries, the familiar Punch and Judy puppet show whichĮxisted in Britain was performed in an easily-transportable booth. Punch's wife was originally "Joan", but later became "Judy". He is a manifestation of the Lord of Misrule and Trickster, figures of deep-rooted mythologies. The character of "Punch" derives from the character Pulcinella, which was Anglicized to The 16th century to the Italian commedia dell'arte. 1770The traditional British Punch and Judy puppetry traces its roots to Puppetry was practiced in Ancient Greece and the oldest written records of puppetry can be found in the works of Herodotus and Xenophon, dating from the 5th century BC.īritish Puppet theatre (Punch and Judy style), c. Hieroglyphs also describe "walking statues" being used in Ancient Egyptian religious dramas. Wire controlled, articulated puppets made of clay and ivory have also been found in Egyptian tombs. There is evidence that they were used in Egypt as early as 2000 BC when string-operatedįigures of wood were manipulated to perform the action of kneading bread. Historians claim that they pre-date actors in theatre. Puppets have been used since the earliest times to animate and communicate the ideas and needs of human societies. Puppetry is a very ancient art form, thought to have originated about 3000 years ago.
0 kommentar(er)
